3 heures de dessin ou peinture accompangné par des conseils et encouragements, dans un atelier d’artiste entouré par la nature….
Thème libre, sujets choisi par les élèves.
Le talent n’est pas donné
comme un arbre adulte,
il est cultivé
à partir d’une graine de désir.
Voici les œuvres produits lors des derniers stages. Prochain opportunité samedi 1 ou 29 Avril. 3 inscrits dèjà pour Samedi 1 – maximum 7.
visiter la page Stages et cours pour en savoir plus…
Nouvelle exposition en preparation pour le 8 Avril – jusqu’au 25 Avril 2017 à la Galerie Passère FORCALQUIER ouvert le jeudi après-midi 15h00 à 18h00, samedi et Dimanche de 10h00 à 12h00 et Lundi de 10h00 à 12h00
2/12/2016 There is nothing like painting to teach one that everything is relative. Change one tone and the effect is immediately felt elsewhere. The observer could easily mistake the change. Here I have lightened the tone of the window frame and the exterieur as well as working on the jug and a little on the geraniums. The sugar bowl has also had a few touches and the flower pot. More to be done still but I am beginning to feel happy with this one. huile sur toile 50 x 70 cms
Exposition du 17 au 24 Décembre à La Galerie Passère 04300 Forcalquier
Petits aquarelles – “Il été une fois sur le bord d’une fenêtre”
Small watercolours – “Once upon a time on a windowsill” 
Small oil landscapes -Petits paysages à l’huile
Eva into the light….
This picture was considered finished and I was happy with the light and the intensity of colour in the background. Just one thing bothered me – that was the contrast between the line of the back and the background. There was no nuance of colour or shading to allow the eye to move from one to the other. This being one of the most important elements to a successful painting, i.e. that the eye can move freely around the picture following paths of tone and colour. For this reason and also to bring this picture to them same level as a partner piece (Eggman), I began again. One of the most useful things I learnt in Art School was that one must not allow something one feels to be successful in a picture to hold one back from taking the whole work where it needs to go. 
Here is Eva in the first stages of moving out of her intense, dark back-drop into the light.
Now again – more light and the change of the hand position
Now todays work (- unfortunately with electrical light – a grey day in Provence
The reflections on the wet paint make it hard to see the nuances but the passages of tone and colour are opening up between background and figure. She still has a little way to go but I trust I can bring her into the right harbour. So that there will be the appropriate quality of painterly considerations to invite contemplation of the existential elements the picture may inspire.
Here is the work of 21/22 November 2016 -increased light in background and on lower part of body with some touches to the upper part. I have altered the feet a little and toned down the orange of the seat. I will probably blur out the seat much more as it is still drawing too much attention to itself. I still need to tidy up the feet and hand and do some overall harmonising.
This is the partner piece – much simpler in treatment, with free passage for the eye to circulate at will.
Voici ce qui ce se passe dans mon atelier actuellement – des portraits de fleurs en cours de réalisation. These pictures are all unfinished – they will be exhibited in July in Saint Etienne les Orgues (Provence) I feel I am at a turning point with my work, there is a loosening that springs from a mixture of growing confidence and letting go of preciousness. Perhaps it’s something to do with reaching my half century – I hope I can follow it through and not slip back into the tensions of the past. 
These two (Colour of his thoughts & Colour of her thoughts) are still not quite finished but coming along nicely methinks. Ces deux ne sont toujours pas finis, mais ça vient.
Maria Blakey Gallery 